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Edward S. Curtis: Visions of the First Americans, by Don Gulbrandsen
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Edward S. Curtis: Visions of the First Americans is a tribute to the photographer, his work, but above all to the Native Americans he photographed. Chapters on many different Native American tribes make this collection unique. Edward Curtis's recognizable style, saturated with sepia, is immediately recognizable. He captures not only the striking faces of his subjects, but also a glimpse into the lifestyle of each Native American tribe he photographed. Women grind corn, and communities gather outside their traditional living areas. Atop horses, Native Americans ride on the prarie. Papooses are bundled in woven carrying packs, and men are dressed in full feathered regalia. These images paint a picture, known to us now only as a historical memory. Many tribes are featured in this volume, from the familiar Apache and Navaho to lesser-known tribes. This book will draw in readers who are interested in world cultures, along with photography buffs and historians. This hardcover volume is a wonderful addition to any library.
- Sales Rank: #106776 in Books
- Brand: Gulbrandsen, Don
- Published on: 2010-04-01
- Original language: English
- Number of items: 1
- Dimensions: 9.75" h x 13.50" w x 1.00" l, 4.40 pounds
- Binding: Hardcover
- 256 pages
About the Author
Don Gulbrandsen became a Green Bay Packers fan in the late 1960s when he realized that not only were they the best team around, but they had a running back who shared his name—former Texas Tech star Donny Anderson. This was stunning decision for a young boy growing up in northern Illinois, and whose father was a Chicago Bears fan. Don\u2019s transformation into rabid Packer diehard became complete two decades later when he finally moved to the land of his dreams, Wisconsin. Although the Lindy Infante-coached franchise was struggling mightily at the time, it was great to be living in a place where nearly everyone—man or woman, young or old, black or white—found common ground in their devotion to the Packers. Don relished opportunities to attend games, visit the Packers Hall of Fame, spend Sundays glued to the TV, and while away hours in discussion with friends and coworkers analyzing draft prospects, player injuries, and NFC Central opponents. And when the Ron Wolf/Mike Holmgren/Brett Favre/Reggie White era finally arrived, Don—like all Packer fans—was rewarded for his unwavering confidence in the team. Don has spent two decades as a publishing professional, focused primarily on enthusiast books and magazines covering a wide variety of topics: sports, hunting and fishing, home improvement, transportation, collectibles, and more. He has worked as an editor in both magazine and book publishing and is the author of several books.
Most helpful customer reviews
70 of 72 people found the following review helpful.
A coffee-table book people will pick up
By Pharoah S. Wail
This book includes photographs and/or information on the Apache, Jicarilla, Navajo, Pima, Papago, Qahatika, Mohave, Yuma, Maricopa, Walapai, Havasupai, Yavapai, Teton Sioux, Yanktonai, Assiniboin, Apsaroke, Hidatsa, Mandan, Arikara, Atsina, Piegan, Cheyenne, Arapaho, Yakima, Klickitat, Salishan, Kutenai, Nex Perces, Kwakiutl, Nootka, Haida, Hopi, Hupa, Yurok, Karok, Wiyot, Tolowa, Tututni, Shasta, Achomawi, Klamath, Kato, Wailaki, Yuki, Pomo, Wintun, Maidu, Miwok, Yokuts, Dieguenos, Washo, Tiwa, Keres, Tewa, Zuni, Chipewyan, Cree, Sarsi, Wichita, Cheyenne, Oto, Comanche, Peyote Cult, Nunivak, Eskimos of various bays, islands and capes, as well as others.
I found this book shortly after Christmas of 2007. There may be larger or multi-volume offerings of Edward S. Curtis' photographs, I'm not sure, but this is a very nice one at an affordable price. The background history does not treat him blindly as a hero or villain. It illustrates both his faults and better attributes. The book mentions pictures that are staged, as in the case of Red Dog on page 66. Curtis described the Sioux as living in terrible poverty on the reservation when he photographed them, but one would not know that from the regal photo of Red Dog that clearly points back towards much better times.
The book includes many regions, tribes and ages of people, and in some ways even some of the more negative aspects of his photographs are invaluable because they informed much of the mainstream American (worldwide, really) mythology that surrounds First Nations peoples of North America. The photos are somewhere between documentary and romanticism. Where he could have taken straight documentary photos of poverty and tattered Western/white clothing, he instead staged warrior meetings on horseback and the like. In one sense though, even those seem valuable to me. Not so much as historical data from, say, 1903 when a given photo was taken, but just in the sense that these were the sorts of scenes that the older people in and around these photos would have remembered from their youth.
There are a couple famous faces, such as a lesser-known photo of Red Cloud. You'll also see men who were there at the Battle of the Greasy Grass... er... Little Bighorn.
Curtis' work will always be viewed historically as having good and bad aspects. His work now (even the pay-offs, etc...) is part of American history, and that makes this book important for those of us who can't afford something huge, or whose libraries don't have big collections of the original volumes. One way or the other (and I would guess both), the book will move you.
The paper, binding and cover are all very nice. It feels like a quality book that belies the fact that it's only $20ish for such a big, hardcover book.
I wish there was some way that books like this filtered money back into the communities today. This is by a UK publisher and printed in Hong Kong. At least you can also pick up the fantastic, original "homeland security. Fighting terrorism since 1492" shirts at the westwindworld site where the money does go where you'd like it to go.
35 of 36 people found the following review helpful.
The Shadow Catcher Who Sleeps on His Own Breath
By James R. Holland
This is a beautifully printed large-format coffee table book that includes more than 300 Sepia Toned Native American images taken by early 19th Century Pioneer Photographer Edward Sheriff Curtis. The book includes an excellent introduction and helpful picture captions.
The guts of the book are in 20 chapters that match the 20-volume set of books titled "The North American Indian." In this volume, each chapter includes work from each of the original Curtis Series. Most of these pictures are used courtesy of the Library of Congress Collection of Curtis's work.
The Shadow Catcher is the nickname the Native Americans gave the photographer and his camera work. "He Who Sleeps on His breath" was another of the monikers given to Curtis because each night he blew into an inflatable mattress before going to sleep. The nicknames applied to Curtis were typical of the descriptive names of the Native Americans themselves. Many people have at least heard of Crazy Horse, Sitting Bull, Shot in the Hand, Two Moons, Red Cloud, Geronimo and various other famous Native American warriors.
Now most Americans have probably seen some of the most famous photographs that Curtis produced and don't even realize it. Among the most famous images are portraits of Princess Angelina, Red Cloud, Chief Bear's Belly and Chief Red Hawk. Of the scenes are "Canyon De Chelley," (a striking image copied by movie director John Ford among others), "Oasis in the Bad Lands" (which features Chief Red Hawk watering his horse), and "The Vanishing Race."
Based on some of his earliest work photographing Native Americans, Curtis developed a plan. "Before the western Indians and their cultures disappeared completely, somebody needed to reach out to these people, gain their confidence, and record their existence--in words and pictures--before they were gone forever. Curtis believed he was the man to take action in the face of what called a `national tragedy.'"
Curtis decided to make a documentary movie in the Pacific Northwest about the Kwakiutl culture. "The Kwakiutl had a notorious reputation as headhunters and cannibals, " but that didn't frighten Curtis. "Determined to participate in traditional Kwakiutl religious ceremonies, he set out to fulfill the ritualistic requirements of outfitting his boat with a human mummy and skulls. In the process he raided tribal burial islands..."
"It is also possible that he participated in a secret cannibalism ceremony, though even in his old age he would never admit to exactly what happened, adding another layer to the Curtis mystique." One of his fearsome portraits "of a Kwakiutl man, Hamaslahl, wearing a wasp costume representing an inherited crest, was published in Volume X in 1915. It was only one of the wonderful portraits of medicine men and representations of Native American spirits that Curtis documented.
Many of the most interesting pictures for this reviewer included the straightforward pictures of the various types of housing used by the natives. Most people know about Tipis and Igloos but none of the other structures used by various tribes of Native Americans. There are plenty of pictures of the various other huts, lodges and houses on stilts used by Native Americans for centuries.
Over his long and productive life he managed to take 40,000 photos using a large camera format and glass plate 14 X17 inch (and slightly smaller glass plates as time passed) negatives of Native Americans as they were disappearing from the American scene. He also recorded 10,000 Indian songs on wax cylinders, "wrote down vocabularies and pronunciation guides for 75 languages, and transcribed an incalculable number of myths, rituals and religious stories from oral history." He also transferred his music recordings to actual sheet music.
At the same time this reviewer was reading and examining this collection of photographs and their captions, I was also reading and reviewing "Short Nights of the Shadow Catcher" the page-turner biography by Timothy Eagan about the life of Edward S. Curtis. Reading in much greater detail about the problems Curtis experienced getting many of his pictures only makes them that much more meaningful. (Please enjoy my Amazon Review of that title as well as this one).
This is a terrific collection of rare photographs of a vanished way of life.
39 of 43 people found the following review helpful.
Stunning Photographs, Mostly Posed
By gotta love the Cretaceous period
This 16 3/4 X 12 inch book with sewn binding and semi-gloss pages with 2 large photos on each page is a great value. At 256 pages, one would think the paper itself would cost more than the book price. Selected from a vast series of photographs Curtis took near the end of America's Westward Expansion, the book includes a biographical account of Curtis himself and a brief description of the American political context in which Curtis made the photographs. This description is insufficient in relaying the impact of all the treaties broken by the American govt. in the course of removing the Indians from their lands and their means of existence. The book points out that Curtis often had to ask his subjects to don their traditional garb for the photograph because by the early 1900s many wore the same clothes as European-Americans. THIS IS NOT A STAND-ALONE BOOK; it provides a rare and rich visual account by a former studio photographer who spent thirty years trying to capture the sympathy of white Americans on behalf of the people they had recently nearly killed off. For that reason, and because Curtis considered himself to be documenting the death of a race, the emphasis is on the past, the "heyday" of Native American cultures. No doubt naivete on Curtis's part, it served well the need of Congress to obliterate the fact that Indians still exist and want justice. Thus the book can also be read as a portrait of good intentions and their insufficiency when they privilege the values of the reigning culture. At least read Bury My Heart at Wounded Knee in conjunction with this book. Within these constraints, the photographs are stunning.
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